~ colors and our emotions ~

~ capturing emotions in our music ~

~ joys ~ sorrows ~ longing ~

'self discovering some basic magic ...'

...........

In a nutshell. This is really just a fun discussion about our self expression through the musical arts. We can make our music to capture and express emotions. This time honored tradition knows no bounds, and of course we can include every other art expression. For rare is it that community events do not include music in some shape or fashion. For from the coffee shop to the concert hall, and lots of stops in between depending on the locale, there's music working the magic :)

So can I create funny music? How do I do it? Are there funny rhythms that make us laugh? Now we're talking just the music here, no 'clowning' around, just the music that the clowns might clown around on :)

What is funny to me might not be funny to you.

 

Funny and humor in just music is tough. There's no way around this.

So can I create funny music? How do I do it? Are there funny rhythms that make us laugh? Now we're talking just the music here, no 'clowning' around, just the music that the clowns might clown around on :)

What is funny to me might not be funny to you.

 

Funny and humor in just music is tough. There's no way around this.

Play pretty. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

Longing. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

The Epic. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

The Zany. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

The sorrow. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

The anguish. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

core philosophy
number of pitches
groups of pitches
tonal gravity
aural predictability

The science fiction. As we advance in our studies along the Essentials core philosophy, the idea that number of pitches, harmonic and melodic groupings and tonal gravity / aural predictability help determine musical style, the building of our solos can eventually become very, very complex. And while we'll surely evolve our abilities throughout our careers and gain strength in building solos, the following ideas are mostly with emerging players in mind, core ideas that will provide a solid structure to build upon as new concepts, strengths and abilities are aquired.

Lizzy
number of pitches
groups of pitches
tonal gravity
aural predictability